Maxim Vengerov & Polina Osentinskaya
Noseda and the NSO end the season with a winning combination.
The current edition of the Juilliard Quartet offers music-making of depth and quality.
Adolphus Hailstork’s Done Made My Vow is more powerful than ever.
After some strenuous repertoire this spring, the National Symphony Orchestra musicians got a bit of a break this week.
Trifonov sets off fireworks, but not everything syncs up in a program featuring George Walker’s 4th, Prokofiev’s 2nd, and Stravinsky’s rarely performed Firebird ballet.
Oksana Lyniv is the real deal; much sharper detail and vocabulary in her gestures than the musicians have been used to for the past 14 years.
NSO review: Tchaikovsky’s “Pathétique” Symphony & the Rach 3 conducted by Stanislav Kochanovsky at the Knnedy Center, featuring soloist Stephen Hough.
The Orchestre Symphonique de Montréal on the cusp of some heady times.
This ensemble has truly formed a unique profile.
With Krzysztof Urbański on the podium, Francesca Dego makes her Kennedy Center debut with the NSO.
Joshua Bell makes it look easy. Maybe too easy.
Noseda’s last local appearance until spring is another double-barreled program of heavyweights.
Cho’s finger work per se is other-worldly, but it did not always bring satisfying musical results. And that piano…
